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Little Brother September 4, 2008

Posted by headgrenade in Political/Social Issues, Reccomended Reading, Science-Fiction.
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Well, actually, I was going to do a post on this today, but the “short update” I did for Gundam 00 turned ou tot take a little longer than I had planned. I want to mention this novel, though, because I do want to take some time to talk about it.So I’m just going to mention a great little novel called Little Brother.

Cory Doctorow wrote a young adult novel based around recent political and social ramifications started by the 9/11 terror attacks and the Patriot Act, and spins a tale about how a young group of kids take on the Department of Homeland Security cracking down on personal freedoms in San Fransisco after a second terror attack there. There’s a lot of cool privacy and security technology he pulls in, a lot of which is home-made and cheap as dirt (perfect for high school age “miscreants” or college-age-English-major-turning-aspiring-novelists . . . ^^; ) as well as real solutions and questions we have in our day and age. Plus, for those non-technical out there, it’s pretty accessible and explains the theory and ideas behind all the technology very clearly and fully. And for those of us who are tech-loving (I found out about this through a tech podcast myself), there’s a lot of useful tools buried in it. There’s even a free version online, through Cory Doctoro’s site, which you can download with the entire text.

And here’s the site.

Now pass it along.

Gundam 00 Update September 4, 2008

Posted by headgrenade in Anime, Mistakes, Plot.
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This is just  a short little post I’m going to do now on Gundam 00; I’ve gotten about halfway through the first season since I last wrote on it, but I don’t want to spend a lot on it at this point until I’ve finished it. To be honest, my opinion has only gotten worse.

However, there’s one thing I noticed from the recap episode that I wanted to bring up. There’s one time in the series where a bus, for reasons of spoiling the story I won’t mention now, explodes, killing a number of people. When I was watching it happen the second time, I noticed the bus stops in front of a line of people, and for a good two or three seconds it sits there, with none of the people moving, and then the explosion, which cuts away before you can see too much damage, before switching back to show the finished carnage.

What bothers me is those people standing there. Maybe it was okay the first time, but when it comes back, everyone knows the bus is going to blow. Yet the people don’t move, or do anything, even though that’s where every single person watching the scene will look. Imagine if they had made the people move; it would make the scene pop and be amazing and suspenseful, because you know what is going to happen but now you’re watching people walk around normally just waiting to die.

Anyone who really gets into writing knows these little details and mistakes and graphic/plot goofs come back to bite you; Gundam 00 has thousands of them. I could probably make a whole series going through each episode pointing out each individual moment where things change or don’t change for no explainable reason. And don’t tell me that people don’t do deep background details; go pick up any copy of the Vagabond manga in your local book store and count how many leaves you can see on a bush, or how many individual blades of grass you can see. You’ll be shocked. And don’t say that would cost too much; I only noticed it that time because it was the second time around and all my focus was on the bus. They knew it would come back, they ought to have put the money there. And they’re Mobile Suit Gundam, the huge behemoth series that basically created an entire genre, or at least stands in the spotlight in it.

Things like that bother me, like a lot of people, because it breaks any sense of realism from the medium you’re watching. It happens in written word and visual media just as much. Plot holes are bad. Don’t worry about filling them. Worry about keeping them from ever existing.

True, Classic Insults September 3, 2008

Posted by headgrenade in Pre-Modern Writings, Reccomended Reading.
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My own background is an English major, which, to be completely honest, I’m still working on. It’s a great way to find all sorts of material, though, since what I’m required to read and look through a whole diverse field of literature and other writigns for class. I recently began a Jewish-American Lit. course, and I must say it’s already starting off with a bang.

The truth of the matter is, we’re supposed to be good, kind, respectful people. If everyone was, this world would be a lot better . . . maybe. Maybe just more polite. Whatever. THe point is, though, everyone, once in a while, isn’t that good, kind, respectful people. Sure, when someone makes you angry, you could release that emotion in the easy way by shouting profanities, or making lewd gestures, or hitting them. While writing a letter to the editor may not be on the top of the list anymore, it is a good way to rip someone to itty-bitty bits in a highly public way. Plus, apparently, if you do it really well, you can get published as literature.

[Letter from "a Jew Broker"] is an untitled letter to the Independent Gazetteer in March of 1784, and is attributed to Haym Salomon, a Jewish banker who was pro-American in the American Revolutionary War. The person to whom it was directed at, Miers Fisher, was a Pennsylvanian Quaker who was pro-Tory and attempting to get the government to allow him to create a new bank, citing the reason that “Jewish” bankers were gouging interest rates and damaging the economy for their own greed. What Salomon supposedly wrote in response is one of the most visciously pointed and charged letter I’ve ever read without resorting to profanities. The first several paragraphs basically consist of the writer explaining that Fisher is scum so low in public opinion that even were he to save the world he would be despised; in addition, he is so vile that bodily excriment mixed with dirt and poison would be more palatable than him.

An Excerpt:

You shall yet repent, even in sackcloth and ashes, for the fowl language in which you have expressed yourself. And even the interposition of some well-meaning but mistaken Whigs who, I am sorry to think, have joined you,  “nor even the sacred shield of cowardice may protect you,” from your transgressions. Who knows but the beams of that very denomination whom you have traduced may, on one day, perhaps not very remote, warm you into the most abject servility, and make you penitentially solemnize what you have done?

(This quote is taken from Jewish American Literature: A Norton Anthology, copyright 2001. You can find it on Google Books here)

I don’t know about you, but I hope the next time someone gets pissed off at me, they spin a twenty sentence metaphor about how I am more useless for the good of society than an actual contraption designed to be utterly useless.

The Dark Knight and Story Structure September 3, 2008

Posted by headgrenade in Analysis, Movies, Plot.
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I recently saw the new Batman movie, The Dark Knight, in theaters. Twice actually, but that’s not as important. I’m sure most people have already heard the great things about it, and about Heath Ledger’s performance as the Joker. Yep, it’s incredible. Probably one of the best performances of, well, anything that I’ve seen, and an acting performance that delivers a wonderfully memorable and evil villain. But, that’s not what I’m here to talk about right now. Besides, other people can talk about that sort of element much better than I can, so I’ll leave it to them.

What struck me was a comment one of my friends mentioned after I had seen the movie. He said one great thing was that, unlike most movies, you couldn’t exactly see where it was going to go, and the twists were real twists. Most movies set themselves up for one great big shock, which, when they’re not as good, can be seen long before they come and ruin any surprise and suspense that they try to build with that. But here, he said, time and again something new jumped in and threw everything for a loop.

I won’t say that the story was the most original thing I’ve ever seen, but I have to say it was an amazing story. It took the standard superhero versus supervillan story and pushed it, hard, until it reached a point of becoming much more. The realism, the growing and breaking and changing and lying characters, and a constant devotion to holding itself to the same standards it’s set up have made it great. It hits us as real because, while some of the technology is is beyond us and some of the physical feats are more than we could assume possible, there’s nothing really in the movie that we stop and say “that’s not possible, ever.” Exactly what you want to see in science fiction; and, when you think about Batman, and his utility belt, as well as all the other toys he plays with, he is a science fiction superhero. The characters are like people as well, growing tired, reacting to their conscience and thoughts when they know what’s coming, or are caught off guard, and the events affect them and make them rework their opinions and lives. And never does it slip; never does the dialogue stop snapping, do the characters break from this mood, does the story let up from it’s grip on you. It’s a masterpiece of storytelling, even if it may not be deep or philosophical, which one could certainly argue — I’m just not feeling up to it right now.

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Mobile Suit Gundam 00: First Thoughts September 1, 2008

Posted by headgrenade in Analysis, Anime, Beginnings, Science-Fiction.
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I’ve begun watching a new anime that’s been recommended to me by my girlfriend, and the most current Gundam series. For those who don’t know, Mobile Suit Gundam is one of the biggest anime series in Japan based around giant battle mechs. It’s been popular for a long time, has spawned numerous series, and sort of defined the entire mecha genre in Japan and abroad. And I think it’s a bunch of crap, but due to my girlfriend prodding me pretty much since I met her to watch something about Gundam, I’ve started to sit down and watch it today.

My original problems with Gundam, as a whole concept and not just a series, is the fact that the Gundams, these extremely rare but supreme mechs, are just way too over the top powerful. I’m a big fan of science fiction and Japanese stories and manga, and I, like many people interested in these sorts of stories, would just love to see two giant machines of death battle it out surrounded by explosions. But these Gundams are just too powerful; agile in ways people can’t come close to despite being giant machines that weigh thousands of tons, loaded down with weaponry that defies logic in terms of damage inflicted, near infinite ammunition, impregnable armor that seems to be invincible except against other equivalently overpowered mechs, and an all-together lack of weakness to be exploited leaves these completely insane. I find many other series, which I won’t go into, such as Armored Core, Mechwarrior, Neon Genesis Evangelion, Code Geass, and even a fantasy series like Escaflowne, do a much better job at making these mechs seem realistic. For one example, in Neon Genesis Evangelion, they have an extremely limited amount of power (approximately five minutes after a full charge, and only a minute if using all their systems), they have to fight things supremely more powerful than them, a lot of the weapons are conventional and remnants from our technology, and their armor protects them only from the weakest of attacks. Maybe the whole idea of giant mechanical bipedal tanks are quite a bit unrealistic, but like all of science fiction, you can hold things to some degree of realism.

Compounding the original problems I have with Gundam, their stories are, for the most part, pretty dumb. The characters are uninspired, the amount of pointless carnage as these huge mechs blast through thousands of weaker ones, and the over-dramatic tone throughout most of the series undercuts any real suspense and excitement about what’s going on. Now, there are times where one of the series is engrossing, compared with most, but there’s a point that they don’t ever reach, some invisible line that separates good dime-store novels from the real well written stories.

Now, it’s also not all crap, these series; they do a fairly decent job all around making a convincing prime time television show with some thought provoking ideas. They bring up a lot about war, killing, humanity and it’s future, energy, morality, and while there’s a general black and white view pervading, there is almost always some gray areas. One of the older ones, Gundam Wing, was quite entertaining for a long time (I only got through a quarter of it; I didn’t have time for more and  couldn’t get a hold of the second half anyway).And besides, everyone, from time to time, enjoys a good campy action flick or a cheesy romantic comedy or something. Sometimes we just need something that only just barely challenges us, if at all, to relax and just enjoy things without having to think much afterwards. It’s a good group of series for that, at least.

Then again, having watched the first two episodes of this series, Mobile Suit Gundam 00, I’m really depressed. It started on a high note for me, with a fantastic opening segment with child soldiers and gritty war. It seems to have a good overall theme, where a group of paramilitary soldiers swear to end all war by destroying all military and all offensives, as well as the defending military at the same time, and turn all hatred and warmongering towards themselves for an as of yet unknown reason. I’d like to see how that plays out, and how they figure that would work, because it is certainly an interesting topic.

However, the characters are almost impossible to tell apart by what they do, their voices and tones (I’m listening to the Japanese version with subtitles) are almost exactly the same “cool cucumber” type, and I feel like there are a lot of lines that were thrown in and used because they “sound” cool, even if they destroy the entire reality of the situation to make it a happy-go-lucky mess. Maybe I don’t know something yet, because it seems there’s more yet to be seen, but I’m not holding my breath to be surprised.

I want something more realistic. Is that really so much to ask?  I’m glad at least one of them expressed remorse at being a mass murderer by bombing a military base for a moment, then turned to his ideals to keep himself focused, but I don’t know if a lot will come of it. I doubt they’ll let one of their four pilots go down nearly permanently because he’s shell-shocked. I would gladly watch the rest of the show if they do, though. War is one of the worst things ever to happen on our planet, and to human beings. They really ought to show it that way, if you ask me, at least sometimes.

On Writing: Hiroki Endo September 1, 2008

Posted by headgrenade in Manga, On Writing.
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There are a lof of ways to think about writing and craft, and while I’m going to do a lot, this was one of many times I found someone else who could express it better than I could ever hope to. The following was written by the author of the Japanese manga series Eden: It’s an Endless World, by Hiroki Endo:

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